That thing’s being alive is you want to just make things for people, you want to offer people something to make their day a little bit better and to look out into an audience of people and see that this or that song has had some some purchase in someone’s life that is sort of quickly through complete the cycle for me. We make things, we make things for people. For instance when you deliver a song and you look out into a crowd and there are people who I can tell that know that song, I just can’t even begin to express what a validating experience that is. What makes reforming so important to you? I think it validates things a little bit. ![]() And you’ve mentioned Chris that you don’t feel like the process of putting together a record is complete until you perform those songs to an audience. I’d say that’s sort of feel overall tone of Punch Brothers it’s this bluegrass instrumentation but not necessarily in the service of propagating the beautiful traditional bluegrass but rather to attempt to emulate the spirit of the creators of bluegrass music who, they were just they were freestyling, they were coming up with new stuff we would like to do the same. I think for holding our palette staring at this blank canvas and we want to make sure that we know exactly what colours we have to work with and I think electric instruments things like that are very mysterious colors to us we’re not sure that we can get what we want to get on to that blank canvas with those colours whereas with bluegrass instrumentation, banjo, guitar, bass, fiddle and mandolin those are colors that we understand fairly well and though there may be most commonly associated with the music of Bill Monroe and Flat and Scruggs, traditional bluegrass, I think we feel like we can make just about anything that we can imagine. I think first and foremost is that we’re an acoustic band, we’re not plugging and then the reason for that is that it’s just not what we know the best. Chris Thile and Noam Pekilney spoke with me before their appearance at the Ellnora Guitar Festival about solo projects and in Pikelny’s case coming back to play after graduating from the Uof I and how they would describe that sound. They’ve been gaining plenty of attempts though as they gain attention. Punch Brothers are an acoustic band with a unique sound that defies most descriptors. ![]() Transcript for file: news150911_punchbrotherswebmixdownfull.mp3 Yo, super freak physique.Pop Up Archive Item: “Punch Brothers On Their Sound, Solo Careers And Returning To Champaign-Urbana” : ![]() It's Yourz! The world in the palm of your hand It's Yourz! Twenty-three million of useful land It's Yourz! The seed and the black wo-man It's Yourz! Double LP from Wu-Tang Clan It's Yourz! (2X) ![]() Machine gun rap for all my niggaz in the back Stadium packed, linebacker nigga flashback See through yellow lines Rock a fly jersey in the summertime God Magic marker rap, bleed Benatton Relaxed, wrote this, comin at cha crab ass cope and snatch ya ice off, chillin in the back, throw the lightsoff Waves, water blend, rhyme flow in slow motion Thick snare, I'm feelin like a snail in the ocean What's your wish? Wanna Kringle like Kris? Melodic single, dark snap a nigga just like fish You fucked up, some rich niggaz you done test yo Select the wrong apartment, and niggaz pulled up your dress Style molest that, canal chain nigga where ya vest at Flex'll make me wanna bless that, yo Saddam Hu-sane niggaz light the torch, we flamin niggaz Autograph that, flatten all the main niggaz
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